This study offers a comprehensive analysis of Qing Dynasty mother-of-pearl inlay lacquerware, focusing on imperial household artefacts. Using a three-phase qualitative approach—planning, document analysis, and thematic synthesis—it investigates inlay evolution, material selection, and symbolism. Sources include museum catalogues, scholarly works, and Qing archives, particularly from the Palace Museums. Findings reveal a range of inlay forms (flat, embedded, carved, stacked, wire, coloured), each with specialised shell preparation methods. Techniques like sand inlay and Baibaoqian reflect imperial aesthetics and technical mastery. The research systematises each production stage and provides a foundation for conservation and reinterpretation of this craft.