The paper explores the multifaceted impact of Eastern artistic traditions, particularly the Japanese aesthetic of wabi-sabi, on current Western ceramic artists through a comparative analysis. It is found that the concepts of ‘impermanence’ and ‘imperfection’ in Eastern philosophy (e.g., wabi-sabi) have profoundly challenged the pursuit of ‘perfection’ in the West, prompting artists to turn to the exploration of natural textures and organic forms. The lack of perfection has prompted the artist to turn to the exploration of natural texture and organic forms. By analyzing practical platforms such as cross-cultural workshops and residencies, the article reveals how traditional techniques such as celadon glaze and Shino-yaki can be combined with Western geometric shapes and mixed media to form an artistic language that is both culturally deep and innovative. However, the issue of taking Eastern elements without understanding them still raises debates about cultural appropriation and the importance of balancing new ideas with respect for the original cultures. The study stresses that only through a profound understanding of Eastern philosophies (such as Zen) can we achieve a true cross-cultural dialogue and promote ceramic art as a vehicle of communion in the context of globalization.