1. Angier, C. (1990). Jean Rhys: Life and Work. London: Penguin .
2. Athill, D. (1979). Jean Rhys and Her Autobiography. A Foreword by Diana Athill. In Smile Please:An Unfinished Autobiography. London: Penguin.7-22.
3. Bhabha, H. Κ. (2018). Global Minoritarian Culture. Princeton: Princeton University Press.
4. Brown, Brené. (2012). Daring Greatly: How the Courage to be Vulnerable Transforms the Way We Live, Love, Parent, and Lead. New York: Gotham Books.
5. Burrows, V. (2004). Whiteness and Trauma: The Mother-Daughter Knot in the Fiction of Jean
6. Rhys, Jamaica Kincaid and Toni Morrison. Hampshire: Palgrave Macmillan.
7. Butler, J. (2004). Precarious Life: Powers of Mourning and Violence. London: Verso.
8. Butler, J. (2009). Frames of War: When is Life Grievable? London: Verso.
9. Carr, H. (2012). Jean Rhys. Oxford: University of Oxford.
10. Cook, K. (2020). Vulnerability and Authenticity. In E. Savory & E. L. Johnson, E. L. 2020. Wide Sargasso Sea at 50. Cham: Palgrave. 183-198.
11. Duffy, E. (2015). "Nobody Else Knows Me, but the Street Knows Me" - Jean Rhys's Urban
12. Flaneuses: Mapping Good Morning, Midnight. English Independent Study Projects. https:// digitalcommons.ursinus.edu/english_ind/2. Accessed 1 June 2020.
13. Emery, M. L. (1982). The Politics of Form: Jean Rhys's Social Vision in Voyage in the Dark and Wide Sargasso Sea. Twentieth Century Literature. 28(4), 418-430.
14. Johnson, E.L. (2015). "Uphostered Ghosts": Jean Rhys's Posthuman Imaginary. In E.L Johnson & P. Moran (Eds.), Jean Rhys: Twety-First Century Approaches (pp. 209-227). Edinburgh:Edinburgh University Press.
15. Faja, H. M., Hashim, R. S., & Majid, A. A. (2020). " You'll Get Used to It": Alterity in Jean Rhys'Voyage in the Dark. 3L: Language, Linguistics, Literature®, 26(2): 105-114.
16. Johnson, E. L. & Moran P. (eds.), Jean Rhys: Twety-First Century Approaches. Edinburgh: Edinburgh University Press.
17. Ledent, B. (2018). Exotic Madness in Caribbean Literature: From Marginalization to Empowerment and Indigenization. In M. Bharat & M. Grover (Eds.), Representing the Exotic and the Familiar: Politics and Perception in Literature (pp. 309-322). Amsterdam:
18. John Benjamins Publishing Company.
19. MacKenzie, C., Rogers, W. & Dodges, S. (2014). Vulnerability: New Ethics and Feminist Philosophy. Oxford: Oxford University Press.
20. MacIntyre, A. (1999). Dependent Rational Animals: Why Human Beings Need the Virtues.Chicago: Open Court.
21. Maslow, A. 2015. Motivation and Personality. New Delhi: Prabhat Books.
22. Moran, P. (2007). Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma. New York: Springer.
23. Murdoch, H. A. (2015) The Discourses of Jean Rhys: Resistance, Ambivalence and Creole Indeterminacy. In E.L Johnson & P. Moran (Eds.), Jean Rhys: Twenty-First Century Approaches. Edinburgh: Edinburgh University Press. pp. 146-170.
24. Rhys, J. (1957). Quartet. New York: Norton.
25. Rhys, J. (1982). Wide Sargasso Sea. New York: Norton.
26. Rhys, J. (2016). Smile Please. London: Penguin .
27. Savory, E. 2004. Cambridge Studies in African and Caribbean Literature: Jean Rhys. New York: Cambridge University Press.
28. Savory, E. & Johnson, E. L. 2020. Wide Sargasso Sea at 50. Cham: Palgrave.
29. Simpson, A. B. (2005). Territories of the Psyche: The Fiction of Jean Rhys. New York: Palgrave.
30. Staley, T. 1979. Jean Rhys: A Critical Study. New York: Springer.
31. Staszak, Jean-Francois. (2009). Other/otherness. In International Encyclopedia of Human Geography. London: Elsevier. 1-7.
32. Vreeland, Elizabeth. (1979). “Jean Rhys: The Art of Fiction [Inter- view] LXIV.” Paris Review, 21(76), 218-37.