Anshun Dixi is a representative of ancient Chinese traditional opera. It is called the “living fossil of opera” because of its rough performance and long history. By investigating the performance form of Anshun Dixi, we found that “virtuality” is a defining dimension of the tradition. Virtuality displayed in stage scenery, costumes, and performances has broadened the creative space of Anshun Dixi and enriched the audience’s aesthetic experience. In addition, Anshun Dixi combines the characteristics of virtuality with Tunpu culture and interprets the Tunpu people’s narration of history, the praise of heroes, and the identification of ethnic identity.

安顺帝戏是中国古代戏曲的代表。因其表演粗糙，历史悠久，被称为“戏曲活化石” 。通过考察安顺帝席的表现形式，我们发现“虚拟”是传统的一个定义维度。虚拟性显示在舞台布景，服装和表演公顷š æ‹“宽了安顺地戏的创作空间，丰富了观众的审美体验。此外，安顺地戏结合V的特性irtuality ä¸Žå±¯å ¡æ–‡åŒ–与解释屯堡人“的历史叙事，英雄们的一致好评，和民族身份的识别。