1. Anwar, R. (2016). Characterizing a syntactic pattern of formgiving in design thinking process / Rusmadiah Anwar [Phd, Universiti Teknologi MARA]. https://ir.uitm.edu.my/id/eprint/27277/
2. Anwar, R., Abidin, S. Z., & Hassan, O. H. (2015). A Pattern in Formgiving Design: Giving Priority to a Principle Solution in Industrial Design Situation. In Industrial Engineering, Management Science and Applications 2015 (pp. 331–340). Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-47200-2_35
3. Anwar, R., & Raif, D. M. (2022). Designing Product Gestalt: Semiotic and semantic influences of ablution development. Environment-Behaviour Proceedings Journal, 7(SI9), Article SI9. https://doi.org/10.21834/ebpj.v7iSI9.4261
4. Anwar, R., Vermol, V. V., & Siran, Z. (2022). EMF: Humanoid robots design scheme for child with autism. Environment-Behaviour Proceedings Journal, 7(SI7), Article SI7. https://doi.org/10.21834/ebpj.v7iSI7.3833
5. Bai Xue, & Jamil, A. A. (2022). Innovative Approach of Cultural Empowerment Brand in the Perspective of National Trend in New Period. Packaging Engineering, 43(14), 388–395. https://doi.org/10.19554/j.cnki.1001-3563.2022.14.048
6. Eisenhardt, K. M. (1989). Building Theories from Case Study Research. Academy of Management Review, 14(4), 532–550. https://doi.org/10.5465/amr.1989.4308385
7. Henderson, P. W., Cote, J. A., Leong, S. M., & Schmitt, B. (2003). Building strong brands in Asia: Selecting the visual components of image to maximize brand strength. International Journal of Research in Marketing, 20(4), 297–313. https://doi.org/10.1016/j.ijresmar.2003.03.001
8. Hu, B., Zelenko, O., Pinxit, V., & Buys, L. (2019). A social semiotic approach and a visual analysis approach for Chinese traditional visual language: A case of tea packaging design. Theory and Practice in Language Studies, 168–177.
9. Kanyan, R. & Zainurul, A. A. R. (2015). Exploring the semiotics of the Dayak Motifs in Sarawak. In Social Sciences Postgraduate International Seminar (SSPIS).
10. Li Hongguang. (2020). Chinese landscape painting mood mooncake packaging design. The Food Industry, 41(12), 443–444.
11. Liu Yan. (2016). Research on the Color of Chinese Folk Art [Doctor, Shandong University].
12. Peirce, C. S. (1991). Peirce on signs: Writings on semiotic. UNC Press Books. http://sc.panda321.com/extdomains/books.google.com/books/about/Peirce_on_Signs.html?hl=zh-CN&id=OgRazXzttrwC
13. Rundh, B. (2013). Linking packaging to marketing: How packaging is influencing the marketing strategy. British Food Journal, 115(11), 1547–1563. https://doi.org/10.1108/BFJ-12-2011-0297
14. Schroeder, J., Borgerson, J., & Wu, Z. (2015). A Brand Culture Approach to Chinese Cultural Heritage Brands. 27.
15. Sepini, A. R. B., Arif, H. B. A., & Abdullah, N. B. (2019). Motif & Design Patterns of Keringkam Embroidery for The Sarawak Malays. International Journal Of Technical Vocational And Engineering Technology (iJTveT), 1(1), Article 1.
16. Sharma, A., Singh, Singh, S. S. J., & Rose, N. M. (2016). Development of Motifs: Traditional to Contemporary for Saris. Research Journal of Recent Sciences E-ISSN.
17. Sun Jia. (2021). Old National Products-New National Products-National Design Trends, Commodity and Culture. Art Observation, 2, 26–28.
18. Trompenaars, F & Hampden-Turner, C. (2011). Riding the waves of culture: Understanding diversity in global business. http://sc.panda321.com/extdomains/books.google.com/books/about/Riding_the_Waves_of_Culture.html?hl=zh-CN&id=BmAzDAAAQBAJ
19. Wells, L., Farley, H., & Armstrong, G. (2007). The importance of packaging design for own‐label food brands. International Journal of Retail & Distribution Management, 35(9), 677–690. https://doi.org/10.1108/09590550710773237
20. Xu, C., Huang, Y., & Dewancker, B. (2020). Art Inheritance: An Education Course on Traditional Pattern Morphological Generation in Architecture Design Based on Digital Sculpturism. Sustainability, 12(9), Article 9. https://doi.org/10.3390/su12093752
21. Xu Jin & Zhang Yali. (2023). Patterns for Tao: The Innovative Design and Practical Research on Traditional Ethnic Patterns in Southwest China. Art & Design, 115–119. https://doi.org/10.16272/j.cnki.cn11-1392/j.2023.03.021
22. Xu Ruihua. (2008). Discussion on Packaging Design Strategy of Local Speciality Products--Taking Nanjing Local Speciality Products as an Example. Hundred Schools in Arts, 24(6), 151-154+158.
23. Xue Shenghui. (2003). The Cultural Connotation and Performance Characteristics of Mascot Design. Art & Design, 7, 32.
24. Yang, Z., Bao, D., & Shen, D. (2022). Exploring design students' cognition and application of different levels of Chinese cultural elements. International Journal of Technology and Design Education, 32(1), 645–665. https://doi.org/10.1007/s10798-020-09606-w
25. Yao Linqing. (2019). How the popularity of "national design trends" came about. People's Tribune, 35, 132–134.
26. Zheng, H., Chen, Y., Yu, G., Pei, G., & Zhang, M. (2022). Construction of Guochao Culture Promotion Platform in Big Data Environment. Proceedings of the 2022 3rd International Conference on Internet and E-Business, 147–152. https://doi.org/10.1145/3545897.3545919
27. Zhang Shu. (2018). A Review of the Art of Chinese Motifs. Journal of Nanjing Arts Institute(Fine Arts & Design)1, 30-43+213.
28. Zhu Shuai. (2021). National Design Trends, Chinese Style and the Rise of Chinese Design Subjectivity. Art & Design, 10, 12–17. https://doi.org/10.16272/j.cnki.cn11-1392/j.2021.10.033