1. Bo, W. (2019). Study on Aesthetic Images of Chinese Calligraphy Elements in Minimalist Design. Asia International Symposium on Arts, Literature, Language and Culture, 323-325. http://doi: 10.25236/aisallc.2019.066
2. Dexiang, K. (2022). On the Contemporary Value of Sha Menghai's View of Calligraphy in the Construction of Calligraphy Courses in Colleges and Universities. SHS Web of Conferences 157, 04024. https://doi.org/10.1051/shsconf/202315704024
3. Henry S. R. K., Min, X. & Tin Tin, K. (2021). Calligraphy, Psychology and the Confucian Literati Personality. Psychology and Developing Societies, 33(1), 54-72. https://doi.org/10.1177/0971333621990449
4. Kuipeng, X. (2021). Current Situation and Countermeasures of Calligraphy Education in Primary and Middle Schools Based on Data Mining. International Conference on Artificial Intelligence and Advanced Manufacture., 1634–1638. https://doi.org/10.1145/3495018.3495457
5. Lei Gang, C., Chee Luen, L. & Keok Cheong, L. (2023). The Aesthetic Structure of Cursive Script. International Journal of Academic Research in Business and Social Sciences, 13 (7), 1159-1169. http://dx.doi.org/10.6007/IJARBSS/v13-i7/17830
6. Iezzi, A. (2013). Contemporary Chinese Calligraphy Between Tradition and Innovation. Journal of Literature and Art Studies, 3(3), 158-179.
7. Miao, H. (2022). The New Result of Studies in the Hist The New Result of Studies in the History of Medie y of Medieval Calligr al Calligraphy: A Review of The Manual of Calligraphy by Sun Guoting of the Tang: A Comprehensive Study on the Manuscript and Its Autho. Contemporary Social Sceince, 3, 146-155. http://dx.doi.org/10.19873/j.cnki.2096-0212.2022.03.010
8. Ming, P. & Hui, Z. (2022). New Challenges and Countermeasures in Higher Education Calligraphy Instruction in the New Era. Creative Education, 13(8), 2544-2552.
9. Ruiqi, W., Changle, Z, Fei, C., Longzhi, Y., Chih-Min, L. & Changjing, S. (2020). Integration of an Actor-Critic Model and Generative Adversarial Networks for Chinese Calligraphy Robot. Neurocomputing, 388, 12-23. https://doi.org/10.1016/j.neucom.2020.01.043
10. Yaping, Y. (2018). Current Status and Countermeasures of Calligraphy Teaching in the Basic Education of Chinese Painting. Advances in Social Science, Education and Humanities Research, 89, 14-17.
11. Yu, W. (2020). Analysis of Chinese Calligraphy Artistic Features Based on Mathematical Elements. Open Journal of Applied Sciences, 10(02), 25.
12. Jie, Z., Ming, G. & Jie. F. (2019). A Novel CNN Structure for Fine-Grained Classification of Chinese Calligraphy Styles. International Journal on Document Analysis and Recognition (IJDAR), 22, 177-188.
13. Woen Ning, T. (2019). The Transformation and Inheritance Value of Traditional Calligraphy in Today’s Society. Research Project. Department Of Chinese Studies Universiti Tunku Abdul Rahman, Malaysia.
14. Yu, Y. (2018). Cultural Studies for Chinese Calligraphy Education in Elementary and Middle Schools in China. International Journal of Language and Linguistics, 5(1). 57-63.
15. Ziyuan, C. (2023). Chinese Calligraphy: An Ancient Art in the Modern Era. SHS Web of Conferences, 159, 02003. https://doi.org/10.1051/shsconf/202315902003