1. Bose, S., & Jalal, A. (2022). Modern South Asia: history, culture, political economy. Routledge.
2. Cerulo, K. A., Leschziner, V., & Shepherd, H. (2021). Rethinking culture and cognition. Annual Review of Sociology, 47, 63-85.
3. Ding Yuan. (2019). A Study on the characteristics of Disney Princess animated films from an aesthetic perspective. (Doctoral dissertation, Zhejiang University of Technology).
4. Li Zeyin. (2021). A study of the transmutation of the image of women in films under the perspective of feminism--Case study of Disney Princess series of films. Radio & TV Journal (3), 97-99.
5. Sun Huijuan. (2012). Dissecting Disney Animation from a Cultural Transgenic Perspective--Case study of Mulan. (Doctoral dissertation, Jiangxi Normal University).
6. Xia Jing, Xia Ziyu &Zhou Yao. (2021). The Awakening of female independence consciousness in the postmodern Disney animated films-- Case study of Frozen and Mulan. JinGu Creative Literature, 000(020),92-93.
7. Xu Peiwen. (2014). Analyze Disney Princess movies from a feminist perspective- -Take the development of feminism in Frozen. Xijiangyue, 000 (011), 488-488.
8. Zhou Yijia, & Chen Xingyu. (2022). The Reconstruction of Female Villains in Disney Animated Films- Case study of Kuira. Home Drama (11), 3.
9. Zhao Li. (2017). Writing Women in Disney's Live-Action Films - Examples from Enchanted Fantasy and Beauty and the Beast. Journal of Changsha University, 31 (6), 4.