Cross-Cultural Semiotic Analysis of Architectural Ornamental Elements: A Comparative Study of Ming-Qing Dynasty Architecture in China and Baba-Nyonya Architecture in Malacca
List of Authors
Azlaini Abdul Aziz, Mawar Masri, Yujing Ren
Keyword
Ming-Qing Architecture; Baba-Nyonya; Cross-Cultural Comparison; Semiotics; Ornamental Elements
Abstract
This study explores the similarities and differences in the decorative elements and semiotic connotations of architecture during the Ming and Qing dynasties in China and the Baba-Nyonya architecture in the Malacca region from a cross-cultural perspective. Based on a literature review, field research of typical case studies, and semiotic theory analysis, the study finds that: on one hand, the decoration of imperial and residential buildings during the Ming and Qing periods emphasized rituals and hierarchy, using totems like dragons, phoenixes, and qilins to signify imperial authority and social structure. On the other hand, Baba-Nyonya architecture, while inheriting traditional Chinese auspicious symbols, incorporated cultural influences from Malay, Portuguese, Dutch, and British cultures, resulting in a decorative style that blends tropical characteristics with diverse aesthetic appeals. This cross-cultural adaptation process showcases the reinterpretation of decorative elements in different social, religious, and economic contexts. The study's findings not only contribute to the understanding of the evolution of architectural decoration symbols in a multicultural coexistence context, but also offer theoretical insights for historical heritage preservation and contemporary cross-cultural design practices.