This research analyzed the visual elements of two Chinese landscape paintings of the Rehe Imperial Palace in the Qing dynasties. Using qualitative methods, including visual analysis and case study, the research examines differences in color, perspective, brushwork, and shared philosophical concepts to uncover their potential applications. Through discussing the modern tourist map of the Mountain Resort, the findings bridge the gap between traditional landscape paintings and modern tourist map design, offering practical insights for enhancing the cultural and artistic aspects of tourist maps, particularly those associated with Chinese imperial landscapes.