An analysis of cultural heritage exhibition hall exhibits based on an interpretive perspective examines the relationship between interpretive content and interpretive form. Jinggangshan Revolution Museum, China's first museum to focus on revolutionary history was chosen as a case study. A two-dimensional framework combining interpretive content and form is established and followed to guide the analysis. In the exhibition halls of cultural heritage tourism, visitor Interpretation faced problems of information overload, lack of interactivity and thematic clarity, language barriers, and overcrowding. This study applies qualitative analysis and chooses fieldwork as the main analysis method. In terms of interpretative content, the tangible cultural heritage is rich in cultural relics, old sites, and buildings, while the intangible cultural heritage has fewer experiential activities and performing arts. In terms of Interpretative forms, the five exhibition halls mainly focus on static forms, interactive forms on online platforms, and fewer participatory displays. In the future, priority should be given to enhance interactivity, attractive narrative, educational programs and visitor feedback, which is expected to further optimize the function and quality of the exhibition hall.