1. Dai, Y., & Qiu, B. (2004). A Strategic Analysis of Chinese Cinematic Cultural Communication in the Context of Globalization. Modern Communication, 49–53.
2. Ding, L., & Cai, Y. (2021). Research On the Cultural Connotation of Overseas Communication of Chinese Films. Movie Literature, 13, 44–46.
3. Fu, X., & Liu, Y. (2016). Conflict And Integration of Domestic Films Under Cross-cultural Communication. Movie Literature, 13, 28–30.
4. Huang, H., Huang, S., & Huang, Y. (2021). Study On the Influence of Chinese Cultural Cognition on The Expectation and Behaviour of Watching Chinese Films -- Survey Report on The Communication of Chinese Films in Southeast Asia in 2020. Modern Communication, 21–27.
5. Lu, S. (2019). Research On the Communication Path and Influence of Chinese Films in Thailand. Movie Literature, 17, 25–30.
6. Qiu, W. (2021). China Daily’s “One Belt, One Road”: Discourse Study of The Construction of China’s National Image. Radio & TV Journal, 171–172.
7. Yin, J., & Kang, J. (2019). Film Festivals, International Communication and Cosmopolitanity: Reflections on Chinese Film Communication Strategies in A Cross-cultural Context. “Film Evaluation,” 7.
8. Zeng, X. (2018). One Belt, One Road, China’s Image Building and Communication. Journalism Lover, 9, 24–27.
9. Zhan, D. (2019). Concept, Identity and Structure: Constructivist Mechanism and Path of Contemporary Chinese Films in Shaping National Image. Contemporary Cinema, 2.
10. Zhang, Z., & Zhang, T. (2011). Cross-cultural Communication of Chinese Films from An International Perspective. Journalism Lover, 12, 30–31.